I was privileged to work with him for many years-I was fresh of out of Parson's School of Design and got what I thought was the best job ever-as the associate Art Director at Clinique Cosmetics .

As the associate art director (which I used to joke was like being the friend of the art director's friend) I did the grunt work. Irving Penn did all of our still life photography for Clinique at the time, it was amazing and truly groundbreaking, being simple, graceful and very, very classy- fitting the brand perfectly.

As the associate I would do all the preliminary layouts in my office and polaroid the setups.
Once the art director approved them -the next step was "Penn" as we lovingly called him.
Once the art director approved them -the next step was "Penn" as we lovingly called him.
I would then proceed to the studio and deliver the layouts -products and props. It was a job that most people would complain about except- it had a big plus, Every time I went to the studio I would sit and talk with "Penn" for hours. He was approachable and friendly to me, gave me tips and pointers, showed me the look he was trying to get with his photographs, which gave Clinique the beautifully polished look that sold the product like crazy.
this is my favorite photo of Irving Penn's from his beautiful book "Flowers", It's called called Blue Moon (it always reminded me of myself as a party girl
this is my favorite photo of Irving Penn's from his beautiful book "Flowers", It's called called Blue Moon (it always reminded me of myself as a party girl

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